Showing posts with label Bank of Ireland. Show all posts
Showing posts with label Bank of Ireland. Show all posts

Sunday, July 11, 2010

Dublin Homecoming


GPO, O'Connell Street, Dublin


The Dublin "Spike" (don't ask!) and the statue of Trade Union leader Jim Larkin asking the question "where can I get a taxi around here?"

I went back to the Fair City to see the parents and friends old and new. On the Friday met up in the Holy Grail of Irish traditional music O'Donoghue's in Merrion Row. This is a real unchanging Dublin pub – a long hardwood bar soaked with the sweat and beer of five generations, photos of real old patrons on the walls, a ticking clock and the laughter of old men, and an atmosphere of peace and timelessness.


Dublin Luas Tram

For more on the Dubliners and O'Donoghue's see;

http://daithaic.blogspot.com/2008/08/farewell-ronnie-drew.html

We had a wonderful night in O'Donoghue's, proving that a stranger is a friend you haven't yet met. Love and respect to some special people, Jessie, Robert, Ann, Frances, Hugh and Nuala not to mention Con still behind the bar after 30 years!




O'Donoghue's Bar

It was a night of mixed emotions as we were meeting in honour of an old friend and talented musician who passed away in February 2009 and who used to play here. This was also where he met and proposed to his first wife Jessie who was here with us for the first time in 20 years and sang a song in his memory.

http://daithaic.blogspot.com/2009/02/gerard-cowan.html


Bagatelle's famous Dublin anthem "Summer in Dublin"



One personal pit stop was a return visit to Yamamori which is a popular Japanese restaurant located a stone's throw from some of Dublin's trendier pubs such as the Globe and Hogan's. It's a bright, airy and well-decorated affair, with large windows looking out onto South Great Georges Street. The food is hardly adventurous given Japanese standards, but always reliable, and with sushi, teriyaki and a variety of Japanese beers on the menu, it's an ideal spot for an early dinner. Yamamori also has a lunch menu with a range of noodle dishes that are certainly good value for money. This is very different from the normal UK Noodle Bar operation with a far longer menu incorporating Bento and Sushi dishes as well as the usual noodle and rice dishes.


Yamamori Noodles Still Life; "Bento Box with a Panama Hat"

There were random rambles around my hometown including meeting my good buddy Niall who had celebrated his 70th the day before and has done a great and altruistic service by restoring Martello Tower No. 7 in Killiney, Co. Dublin. It is the only Martello Tower in the world restored to its original condition and with working cannon. Niall also restored the surrounding gun emplacement and glacis so it can be seen in its original context.



For the story of Martello Towers see;

http://daithaic.blogspot.com/2008/09/martello-towers.html


Molly Malone, carrying all before her


A rather big little person


The Boys are Back in Town, Phil Lynott outside Bruxelles, Harry Street

Finally on my random rambles in Foster Place I noticed that the Armoury of the Bank of Ireland had been converted into the Irish Waxworks display. Waxworks are not my thing but it is an interesting display if a bit like a Curate’s Egg, good in parts. However I was delighted to see the Armoury for the Bank of Ireland was originally the world’s first purpose designed parliament building. After the rebellion of 1798 the bank was given the right to raise its own militia to protect their premises, hence the Armoury.

For the story of the world's first purpose designed Parliament Building see;

http://daithaic.blogspot.com/2008/10/irish-parliament-building.html


Armoury of the Bank of Ireland, now the Wax Museum


Dome of the Assembly Room in the Armoury

The National Wax Museum is a privately owned waxworks museum in Dublin, Ireland. On October 7, 2009, the museum officially re-opened (although it had been open to the public a number of weeks prior) following extensive renovation at its new location in the left flank of the Irish Houses of Parliament, at Foster Place. I am not a great fan of the genre and I really went in to see the building the Armoury. Having said that the Waxworks uses the space quiet well and it was interesting to see the use they had made of the old vaults under the building – they are now billed as “The Time Vaults of Irish History”.


Waxworks of Brendan Behan and Patrick Kavanagh, in real life the best of enemies!

However much of the displays are aimed at the kiddies and the view of Irish History given by the exhibits was that bit too simplistic and one sided for me. The “Grand Finale” leads to the assembly room of the Armoury which has a fine glass domed ceiling and is devoted to Irish musicians – I wasn’t impressed that yours truly wasn’t mentioned by name for organising the Boomtown Rats first concert as much of the display is concerned with one Robert Geldof, late of the Boomtown Rats and of this town.



For my part in pop history / infamy see;

http://daithaic.blogspot.com/2007/08/bob-geldof-and-me.html


Grafton Street, Dublin


Nothing new here, Riverdance playing for 3 months at the Gaiety Theatre

The biggest disappointment on this trip was a stroll down what was Dublin’s most fashionable and upmarket shopping street Grafton St. It is mentioned in Paddy Kavanagh’s famous allegorical poem of unrequited love “Raglan Road”;

“On Grafton Street in November we tripped lightly along the ledge" and also immortalised in Noel Purcell’s “Dublin Saunter” where he sang:
"Grafton Street's a wonderland with magic in the air . . ."


To read about Raglan Road and Paddy Kavanagh see;

http://daithaic.blogspot.com/2010/07/on-raglan-roag.html


Buskers, Grafton Street


Sand sculpture Grafton Street

Well there is little magic in the air these days. When I was young the street had unique upmarket shops of which only the Jeweller’s “Weirs “gives an impression of what it was like. At the top on St. Stephen’s Green was the Dandelion Market full of short lets and really interesting shops which was a place of pilgrimage on a Saturday. Halfway along the street Bewley’s Café with its neo-Egyptian frontage didn’t need to advertise as they roasted coffee in the window and the scent wafting down Grafton Street drew you in. As Brendan Behan remarked it was an honour to have our most fashionable Street named after a “Right Royal Bastard.” The street was named after Henry Fitzroy, 1st Duke of Grafton, the illegitimate son of Charles II of England who owned land in the area. The street was developed from a then existing country lane by the Dawson family in 1708, after whom the parallel Dawson Street is named.


Thomas Davis statue and fountain College Green

It has lots of memories for me, from the Thunderbird Food Co. to The Diceman, Thom McGinty who I knew who was a wonderful mime artist to Captain America’s Food Company where a certain Chris De Burgh used to play. Well there is little magic any more as the “entertainers” are aimed squarely at the tourist pound and the shops by and large look like any part of a Clone Town British High Street and a not very upmarket one at that. It looks like short sighted greedy landlords have killed off this particular Golden Goose.

Tuesday, July 21, 2009

A Tale of Two Parks





The Fair City has undoubtedly given much to the descendants of Arthur Guinness whose St James Gate Brewery gave a distinctive waft of roasted barley to the banks of the River Liffey and whose ships transporting the “Black Stuff” were a feature of the quayside opposite the Custom House when I was growing up in Dublin. Guinness is a popular dry stout beer that originated in the brewery of Arthur Guinness (1725–1803) at St. James's Gate, Dublin. Guinness is based on the porter style that originated in London in the early 18th century and is one of the most successful beer brands worldwide. A distinctive feature is the burnt flavour which is derived from the use of roasted barley. Unfortunately the parent company has been headquartered in London since 1932 when it listed on the London Stock Exchange and was later merged with Grand Metropolitan plc. Due to the machinations of Ernest Saunders (the only person to be cured from irreversible senile dementia!) in the “Guinness Scandal” in the 1980’s the family connection with the firm is largely a thing of the past and the company has developed into a multi-national alcohol conglomerate named Diageo. However, with his well known Gift of Prophecy, the Celtic Sage foresees a future campaign to repatriate this part of our National Patrimony to Ireland!





Summer House by the Lake



Well in better times when Guinness was Irish, the Guinness family amply reciprocated the generosity of Dubliners contributing to Irish institutions and culture and to public welfare through the Iveagh Trust, now the Guinness Trust. In Dublin’s South City Centre you can find many examples of the family’s munificence including Dublin’s best known and finest Victorian public park, St Stephen’s Green, and overlooking it are two fine Georgian Mansions both donated by the Guinness family. One is the world renowned College of Surgeon’s (RCSI) and the other Iveagh House is a splendid urban palazzo housing the Irish Department of Foreign Affairs, Iveagh House. Behind Iveagh House is another gift from the family, a “secret garden” the Iveagh Gardens.





College of Surgeons



St Stephen’s Green was re-opened by Lord Ardilaun in 1880 for the citizens of Dublin. This 9 hectare / 22 acre park has been maintained in the original Victorian layout with extensive perimeter tree and shrub planting, spectacular spring and summer Victorian bedding. The herbaceous border also provides colour from early spring to late autumn. Sanctuary from inclement weather can be obtained in the Victorian lakeside shelter or in the Victorian Swiss shelters in the centre of the park. It is a wonderful green lung in the midst of the hurly burly of the busy city and with its lake, flower beds, glades and shelters it is both well used and well maintained by the Office of Public Works who have added features to it without detracting from the Victorian integrity of this public space and its surrounds, encased as it is by fines cast iron fencing and sheltering mature trees.











Until 1663 St Stephen’s Green was a marshy common on the edge of Dublin, used for grazing. In that year Dublin Corporation, seeing an opportunity to raise much needed revenue, decided to enclose the centre of the common and to sell land around the perimeter for building. The park was enclosed with a wall in 1664. The houses built around the Green were rapidly replaced by new buildings in the Georgian style and by the end of the eighteenth century the Green was a place of resort for the better-off of the city. Much of the present-day landscape of the square comprises modern buildings, some in a replica Georgian style, and relatively little survives from the 18th and 19th centuries.





Map of current layout



In 1814 control of St Stephen’s Green Park passed to Commissioners for the local householders, who redesigned its layout and replaced the walls with railings. Access was restricted to local residents, until 1877, when Parliament passed an Act to reopen St Stephen’s Green to the public, at the initiative of Sir A.E. Guinness, a member of the Guinness brewing family who lived at St Anne's, Raheny and at Ashford Castle in Cong, Co. Mayo. He later paid for the laying out of the Green in approximately its current form, which took place in 1880, and gave it to the Corporation, as representatives of the people. By way of thanks the city commissioned a statue of him, which faces the College of Surgeons. His brother Edward lived at Iveagh House, which his descendants gave in 1939 to the Department of External Affairs (now the Department of Foreign Affairs).





Lord Ardilaun





Ardilaun Lodge



Over 3.5 km of pathways are accessible for all users. The waterfall and Pulham rock work on the western side of the green are worth of a visit likewise the ornamental lake which provides a home for waterfowl and a garden for the visually impaired. A number of sculptures are located throughout the green and a children's playground is a popular attraction of the park. Lunchtime concerts are performed during the summer months providing a musical interlude for office workers and visitors.





Map of Green with key features(A)Fusilier's Arch(B)O'Donovan Rossa(C)O'Connell Bridge(D)Wolfe Tone & Famine Memorial E)Lord Ardilaun(F)Countess Markievicz(G)Playground(H)Bandstand(I)3Fates



One of the more unusual aspects of the park lies on the North West corner of this central area - a garden for the blind with scented plants, which can withstand handling, and are labelled in Braille. Another feature is a sculpture group representing the Three Fates inside the Leeson Street gate (a gift from the German people in thanks for Irish help to refugees after World War II).





3 Fates









Lake



Further north again (and spanning much of the length of the park) is a large lake. Home to ducks and other water fowl, the lake is fed by an artificial water fall, spanned by O'Connell Bridge, and fronted by an ornamental gazebo. The lakes in the park are fed from the Grand Canal at Portobello.



Most people enter from the top of Grafton Street through the Fusilier's Arch (first termed "Traitors Gate" by Redmondites) at the Grafton Street corner which commemorates the Royal Dublin Fusiliers who died in the Second Boer War. Irish Nationalists identified with the stand of the Boer Republics against British rule, hence the epithet this being the only time the supported Orange Men!





"Traitors Gate"



A seated statue of Lord Ardilaun sits on the western side, the man who gave the Green to the city, faces the Royal College of Surgeons which he also sponsored. His country house was the superbly located Ashford Castle at Cong in Co. Mayo, today a rather upmarket hotel on the shores of Lough Corrib.



Overlooking St Stephen’s Green you’ll find the historic Shelbourne Hotel now looking as bright as a shiny pin after an extensive restoration which maintained its character and on the first floor overlooking the Green you will find the “Constitution Room” where the Irish Constitution adopted at independence was drafted. Just to the side and dating from 1693 is another urban enclave The Huguenot Cemetery. The Huguenots were French Calvinists persecuted intermittently by the Catholic rulers of France throughout the seventeenth century. Small numbers of refugees from this persecution had come to Ireland, mainly via England, from 1620 to 1641, and again with Cromwell in 1649, but it was in 1685, after the revocation of the Edict of Nantes, which had guaranteed them toleration, that the main body of Huguenots began to arrive, mostly from the countryside around the city of La Rochelle in the modern region of Poitou-Charente.









The Huguenot Cemetery



After the end of the Williamite wars, large Huguenot settlements were established in Portarlington, Youghal, Cork, Dublin, Waterford and Lisburn, where they became celebrated for their expertise in textiles, specialising in weaving, lace-making, and glove-making. In the course of time, they became thoroughly absorbed into Irish society through intermarriage, and names such as Boucicault, Maturin, Le Fanu and Trench are still familiar in Ireland today. Indeed what is now the Bank of Ireland has its origins in La Touche’s Bank set up by the Huguenot David La Touche who is well known as the subject of a cheque written in verse by Richard Chapell Whaley, High Sheriff of Ireland and father of the notorious regency Rake, Thomas “Buck” Whaley;



“Mr. La Touche,

Open your pouch,

And give unto my darling

Five hundred pounds sterling:

For which this will be your bailey,

Signed, Richard Chapell Whaley."




Richard Whaley is too connected to St. Stephen’s Green for his magnificent town mansion is now Newman House and part of the National University of Ireland attended by James Joyce and many others.



During the Easter Rising of 1916, a group of insurgents made up mainly of members of the Irish Citizen Army, under the command of Commandant Michael Mallin and his second-in-command Constance Markievicz, established a position in St Stephen's Green. They numbered between 200-250. They confiscated motor vehicles to establish road blocks on the streets that surround the park, and dug defensive positions in the park itself. This approach differed from that of taking up positions in buildings, adopted elsewhere in the city. It proved to have been unwise when elements of the British Army took up positions in the Shelbourne Hotel, at the north-eastern corner of St Stephen's Green, overlooking the park, from which they could shoot down into the entrenchments. Finding themselves in a weak position, the Volunteers withdrew to the Royal College of Surgeons on the west side of the Green. During the Rising fire was temporarily halted to allow the park's groundsman to feed the local ducks! There is a bust of Constance Markievicz on the south of the central garden.



http://daithaic.blogspot.com/2007/10/first-female-member-of-parliament.html



At the Merrion Row corner of the Green opposite the Shelbourne there is a bronze statue of Theobald Wolfe Tone, the leader of the 1798 rebellion. Flanked by monoliths, it was immediately nicknamed 'Tonehenge'. Behind Tonehenge inside the Green there is a memorial to the Great Famine of 1845-1850 by Edward Delaney



http://daithaic.blogspot.com/2008/03/years-of-french.html





Theobald Wolfe Tone





Memorial to the Great Famine



In 1862, Benjamin Guinness bought Nos. 80-81 St. Stephen's Green and combined the two houses, turning them into the stately mansion that is Iveagh House today. It is now home to the Department of Foreign Affairs' headquarters, and therefore cannot be visited. However, just behind the house, you'll find Dublin’s secret gardens, the beautiful Iveagh Gardens, and these are open to the public. Designed in the 1860s, they offer a combination of the French and English garden styles, so while in some areas you'll find a cascade surrounded by natural landscapes; in others you'll find grand statues and fountains.





Iveagh House





Iveagh Gardens in relation to Stephen's Green







A fine Victorian town garden, with a fountain, rosarium and maze, formerly belonging to the Earls of Iveagh. Designed by Ninian Niven in 1863, the gardens are in the process of being restored. Much has been achieved but there is still work to be done. The Iveagh Gardens are among the finest and least known of Dublin's parks and gardens. They were designed by Ninian Niven, in 1865, as an intermediate design between the 'French Formal' and the 'English Landscape' styles. They demonstrated the artistic skills of the landscape Architect of the mid 19th century and display a unique collection of landscape features which include Rustic Grotto's and Cascade, sunken formal panels of lawn with Fountain Centre Pieces, Wilderness, Woodlands, Maze, Rosarium, American Garden, Archery Grounds, Rockeries and Rooteries.



The conservation and restoration of the Gardens commenced in 1995 and to date most of the features have been restored, for example the Maze in Box hedging with a Sundial as a centre piece. The recently restored Cascade and exotic tree ferns all help to create a sense of wonder in the 'Secret Garden'. The pre 1860s rose varieties add an extra dimension to the Victorian Rosarium.









Cascade







So Dubliner’s are grateful to the descendants of Arthur Guinness of Leixlip for two of Dublin’s finest open spaces, in St Stephen’s Green a wonderful example of High Victorian formal Public Park and in the Iveagh Garden’s a total contrast, a real “Secret Garden” which is a bucolic fantasy and a true hidden enclave in the heart of the city. They are today (whatever the sins of the past) in good public stewardship and have been sensitively enhanced. On a summer’s day there is no need to justify their existence as the appreciation of the many users of these refreshing and rejuvenating spaces is obvious providing an oasis of relaxation and contemplation in the middle of the metropolis. But there is a further point about their public stewardship that there is absolutely no commercialisation, no kiosks, no cafes and no deckchairs to rent. This truly preserves them as unique havens and enshrines them as “People’s Parks” for grateful Dubliner’s and visitors alike.



Sunday, October 12, 2008

Irish Parliament Building




Bank of Ireland Frontage



At the centre of Dublin, College Green provides a fine public space with the well mannered Corinthian façade of Trinity College looking down Dame Street, the ceremonial road to the former British centre of power, Dublin Castle, and the fine bank head offices and on its left the building known today as the Bank of Ireland but originally the world’s first purpose built parliament building. Originaly this was known as Hoggen Green deriving its name from the Scandinavian word for mound and the nearby nunnery of Blessed Virgin Mary del Hogges founded in 1156. Nearby was the Thingmote, which was the Viking assembly place. It was renamed College Green after Trinity College in the 1600s.

The Irish Houses of Parliament (Irish: Tithe na Parlaiminte, also known as the Irish Parliament House, today called the Bank of Ireland, College Green due to its modern day use as a branch of the bank) is the world's first purpose-built two-chamber parliament house. It served as the seat of both chambers (the Lords and Commons) of the Irish parliament of the Kingdom of Ireland for most of the eighteenth century until that parliament was abolished by the Act of Union in 1800 when the island became part of the United Kingdom of Great Britain and Ireland.


Trinity College from College Green

Edward Lovett Pearce, who was himself a Member of Parliament and a protégé of the Speaker of the House of Commons, William Connolly of Castletown House was the architect of the original building, now the centre portion of the bank. While building begun, parliament moved to the Blue Coat Hospital on Dublin's north side. The foundation stone for the new building was laid on 3 February 1729.

This was the first purpose built Parliament House in the world and was constructed at a great time of public confidence in Dublin. The original building designed by Pearce was constructed between 1729 and 1739 is only part of the existing structure. This consisted of the central section with its huge colonnades. Pearce was actually knighted in the building on the 10 March 1731.

Pearce's design for the new Irish Houses of Parliament was revolutionary. The building was effectively semi-circular in shape, occupying nearly 6,000 m² (1.5 acres) of ground. Unlike Chichester House, which was set far back from Hoggen Green, the new building was to open up directly onto the Green, as the above photograph shows. The principal entrance consisted of a colonnade of Ionic columns extending around three sides of the entrance quadrangle, forming a letter 'E' (see picture at the bottom of the page). Three statues, representing Hibernia (the Latin name for Ireland), Fidelity and Commerce stood above the portico. Over the main entrance, the royal coat of arms were cut in stone.


Irish House of Commons in session

Pearce's creation was fronted by an E-shaped Ionic collonade and portico facing what by then became known as College Green. What is somewhat odd, perhaps even off-kilter, about Pearce's plan is the prominence it gives to the House of Commons, presumably at the expense of the House of Lords. The Commons chamber was on a direct axis with the front entrance while the Lords were pushed off the axis towards the east. This may have reflected the fact that Pearce was himself a member of the Commons, but it is also probable that William Connolly, the powerful Speaker of the House as well as Pearce's political mentor, played a part in this seemingly inappropriate architectural distinction.


College Green aerial view


Irish Parliament screenwall

This inbalance is in contrast to the later Houses of Parliament at Westminster designed by Pugin and Barry, in which the Commons and the Lords are given virtually equal distinction in terms of the plan. Somewhat ironically, Pugin's parliament, which has no real main façade, was designed somewhat to look as if it was constructed at different time periods (albeit with the external style all the same), though in reality except for Westminster Hall and some basements and crypts the entire structure was completed by a single architectural duo working at one time. Contrarily, the Irish Parliament building was constructed by three architects at three different times (though all within the same century) yet has been made to appear as if composed as a whole.


Lobby of Parliament - today a Banking Hall

Like other buildings in Dublin notably the Custom House, the Bank of Ireland is graced by sculptures by Edward Smyth. These statues are placed over the portico to the House of Lords and symbolise Wisdom, Justice and Liberty.

In the last thirty years of the Irish parliament's existence, a series of crises and reforms changed the role of parliament. In 1782, following agitation by major parliamentary figures, but most notably Henry Grattan, the severe restrictions such as Poyning's Law that effectively controlled the Irish Parliament's ability to control its own legislative agenda were removed, producing what was known as the Constitution of 1782. A little over a decade later, Roman Catholics, who were by far the majority in the Kingdom of Ireland, were allowed to cast votes in elections to parliament, though they were still debarred from membership. The crisis over the 'madness' of King George III produced a major strain in Anglo-Irish relation, as both of the King's parliaments in both of his kingdoms possessed the theoretical right to nominate a regent, without the requirement that they choose the same person, though both in fact chose the Prince of Wales.


Collonade with sentry box



The British government decided that the entire relationship between Britain and Ireland should be changed, with the merger of both states and parliaments. After one failed attempt, this finally was achieved, albeit with mass bribery of members of both Houses, who were awarded British and United Kingdom peerages and other 'encouragements'. In August 1800 parliament held its last session in the Irish Houses of Parliament. On 1 January 1801 the Kingdom of Ireland and its parliament ceased to exist, with the new United Kingdom of Great Britain and Ireland coming into being, with a united parliament meeting in Westminster, to which Ireland sent approximately 100 members while Irish peers had the constant right to elect a number of fellow Irish peers as representative peers to represent Ireland in the House of Lords, on the model already introduced for Scottish peers.


Tapestry of King William at the Battle of the Boyne

The Parliament of the eighteenth century was largely controlled by the wealthy ascendancy. With the Act of Union the centre of power shifted to London and with it the desire for improvements to Dublin as many of the ascendancy moved to London when not living on their country estates. After this, Dublin began its slow slide into disrepair with the famous Gardiner Estate going bankrupt and the decay of many of the glorious Georgian streets as the houses were split up into tenements. The Parliament building was sold to the Bank of Ireland under the condition that it should not be used for political assemblies.

The abolition of the parliament in 1800 had a major economic impact on the life of the city. Within a decade, many of the finest mansions (Leinster House, Powerscourt House, Aldborough House, etc) had been sold, often to government agencies. Though parliament itself was based on the exclusion of Irish Catholics, many catholic nationalist historians and writers blamed the absence of parliament for the increased impoverishment of Dublin, with many of the large mansions in areas like Henrietta Street sold to unscrupulous property developers and landlords who reduced them to tenements.


Irish House of Lords



The draw of the vice regal court and its social season was not enough to encourage most Irish peers and their large entourage to come to Dublin anymore, their absence and that of their servants, with all their collective and previously excessive spending, severely hitting the economy of Dublin, which went into dramatic decline. By the 1830s and 1840s, nationalist leader Daniel O'Connell was leading a demand for the Repeal of the Act of Union and the re-establishment of an Irish parliament in Dublin, only this time one in which Catholics like O'Connell could now be elected to and sit in, in contrast with the entirely Protestant assembly that had met in the old Houses of Parliament.

One of the more colourful figures to adorn the Irish Parliament was Sir Boyle Roche. Born in 1743, Sir Boyle Roche became the Member of Parliament for Tralee, County Kerry in the Irish House of Commons. His striking but incoherent images became famous. More seriously, he played a part in Irish history by opposing Catholic emancipation. When the Act of Union was passed in 1801, abolishing the old Irish Parliament, he did not become an MP at Westminster. He died in 1807.

He was famous for bringing mixed metaphors to new heights or depths depending on your viewpoint!

"Mr Speaker, I smell a rat; I see him forming in the air and darkening the sky; but I will nip him in the bud."

It was sentences like these that made Sir Boyle Roche famous in his day. Long after his death, many of these sayings are still remembered. Most of Sir Boyle Roche's more famous blunders were in speeches to the Irish House of Commons. In his speeches, he supported the Act of Union with Britain, and was deeply suspicious of any political ideas inspired by the French Revolution. A few of his sayings are remembered from letters to friends.

More examples;

Why should we put ourselves out of our way to do anything for posterity? For what has posterity ever done for us?

How can I be in two places at once, unless I were a bird?

Half the lies our opponents tell about us are untrue.

The cup of Ireland's misery has been overflowing for centuries and is not yet half full.

Ireland and England are like two sisters; I would have them embrace like one brother.

All along the untrodden paths of the future, I can see the footprints of an unseen hand.

We should silence anyone who opposes the right to freedom of speech.

Here perhaps, sir, the murderous Marshallaw-men would break in, cut us to mince-meat and throw our bleeding heads upon that table, to stare us in the face!

The only thing to prevent what's past is to put a stop to it before it happens.

At present there are such goings-on that everything is at a standstill.

In a letter:
While I write this letter, I have a pistol in one hand and a sword in the other.

In a letter:
PS If you do not receive this, of course it must have been miscarried; therefore I beg you to write and let me know.

This type of confused figure of speech became known as an Irish Bull. Dr John Mahaffy (the great 19th Century scholar of Trinity College Dublin) said that 'An Irish Bull is always pregnant'. Irish Bulls can still be spotted occasionally, especially in the speeches of politicians, take a cue, George W. Bush!


Plan of the Parliament building with Pearce's work in black, the Lords' extension by Gandon to the right and the Commons' extension by Parke and others on the left
from "Dublin 1660 - 1860" by Maurice Craig, Allen Figgis, Dublin, 1969.

Pearce's revolutionary designs came to be studied and copied both at home and abroad. The Viceregal Apartments in Dublin Castle copied his top-lit corridors, through with minor alterations that undermined the effect somewhat. The British Museum in London copied his colonnaded House of Commons entrance for its own facade. The Prints of Dublin by James Malton in the 18th Century employed Robert Smirke the Elder to sketch in the people in the pictures. His son, Robert Smirke the Younger, was the architect of the British Museum and is thought to have been inspired by the colonnade in the prints his father worked on.


Leinster House, Dublin.


White House, Washington, D.C. North Facade

The impact of his designs stretched as far as Washington, DC where Pearce's building, and in particular his octagonal House of Commons chamber, was studied as plans were made for the new United States's new Capitol building. While the shape of the chamber was not replicated, some of its decorative motifs were, with the ceiling structure in the Old Senate Chamber and old House of Representatives chamber (now the Statuary Hall) holding a striking resemblance to the original Pearce-designed ceiling in the original House of Commons. Ironically, while the Capitol was copying aspects of the Irish Parliament's design, the White House was being modelled on the ground and first floors of Leinster House, then the residence of one of the leading peers in the Irish House of Lords, the Duke of Leinster, and now the seat of the modern independent Irish parliament, Oireachtas Éireann. The White House was designed by the Irish architect James Hoban, a pupil of Richard Cassels (Von Kassel) the German born architect of Leinster House.


Fireplace

At the side of the building is an attractive tree lined close named after John Foster (1740-1828), a Wide Streets Commissioner and the last Speaker of the House of Commons in the Irish Parliament. Prior to widening by the Wide Streets Commissioners, this was known as Turnstile Alley. Foster Place is a cul-de-sac leading to the former Central Bank building and dominated by the curving screen wall and portico of the former Houses of Parliament. Cobbled and tree-lined, it is a popular street for filming, as it required little work to create a scene for period drama. The Bank of Ireland Arts Centre occupies the former armoury of the bank at the end of Foster Place and was designed by Francis Johnston in 1803 as part of his brief to convert the old Parliament House.


The Armoury

The Armoury now contains “The Story of Banking”, an interactive museum which reflects both banking and Irish history over the past 200 years. It also traces the history of the adjoining Bank of Ireland building from its earliest days as Parliament House. Since 1995 the Arts Centre has become a significant venue for the living arts and hosts a variety of events from free classical recitals to exhibitions, theatre, launches and conferences.

On the other side of Foster Place there is the former AIB Bank with its magnificent banking hall. Since this closed and was acquired by Trinity College there is sadly no public access. Daly’s Club, which was the “Gentlemen’s” club for the Irish Parliament was also here. This was also a favourite meeting place was for the notorious “Hellfire Club”. Here the shutters were closed in the morning so that members with hangovers could gamble by candlelight. One gruesome incident occurred when a member, said to be 'Buck' Sheely was caught cheating at cards. A 'court' was convened presided over by 'Buck' English who dressed for the part in the skin, tail and horns of a bull. His verdict was that Sheely was to be hurled through the window of the third floor gaming room. When honour had been satisfied, gambling was resumed. Sheely died in the fall.


Foster Place

The Bank of Ireland has conserved the heritage of the building admirably. Today attendants lead tours that point out the coffered ceiling and oak panelling. There are also huge tapestries of the Battle of the Boyne and the siege of Derry, and a splendid 1,233-piece crystal chandelier dating from 1788. The present building also known as Grattan's Parliament was completed in 1808 after additions were made.


Irish 1,233-piece crystal chandelier 1788

For whatever reason, however, during the 1916 Rising in Dublin and the War of Independence the 'Bank of Ireland' as it was generally called, remained untouched. When in 1919, Irish republican MPs elected in the 1918 general election assembled to form the First Dáil and issue a Unilateral Declaration of Independence, they chose not to seek to use the old Irish parliament house but instead the Round Room of the Mansion House, the residence of the Lord Mayor of Dublin. (Ironically the Round Room had more royal connections than the Houses of Parliament; it had been built for the visit of King George IV in 1821).

When it came to choosing a permanent parliament building after Independence in 1922 the Free State Government purchased Leinster House, the headquarters of the RDS, The Royal Dublin Society, as the home for the Irish Parliament. While in the eighteenth century the fact that one of its House of Lords entrance opened directly onto a street caused little worry, in the Ireland of 1922 with a civil war raging it building was simply too insecure to be used as a modern day parliament building. While the House of Commons entrance was surrounded by railings, it offered only minimal parking space and minimal security from attack, and practically no means of escape in the event of an attack. In contrast Leinster House was located well in from the streets that surrounded it, had considerable parking potential and was far more secure in the event of an anti-treaty republican attack on the Free State Dáil and Seanad.

However this would be a decision well worth revisiting in the 21st century. Leinster House is bounded by the National Museum, Art Gallery, Library and Natural History Museum (all founded by the RDS) and its vacating by the Irish Parliament would allow these to be integrated into an outstanding cultural amenity. Because of the site restrictions facilities cannot be developed at Leinster House. However The College Green buildings could easily be reinstated as a Parliament at the very heart of Dublin and there is now ample scope to develop the surroundings to provide the modern office and support facilities such a parliament would need. Ireland has taken great strides in the past decade and the return of parliament to this great purpose designed parliament building and the development of a superb cultural facility at Leinster House would show that Ireland has regained the confidence lost at the Act of Union and is prepared to create a great legacy for the future.

Ultimately the old Irish Houses of Parliament, the world's first purpose-built two-chamber parliament building, has remained a curiously contradictory symbol for Ireland: a parliament based on discrimination and exclusion that nevertheless, through producing radical leaders like Henry Grattan, is seen generally with affection by a people whose ancestors were debarred from membership. A parliament that, though Protestant establishment in membership and loyal to the Crown, in 1782 produced the first real attempt at Irish independence, achieving the 'Constitution of 1782' that stressed its loyalty to the King by virtue of his Irish, not British Crown.


House of Lords display

Although flawed in its working, discriminatory in its membership and powerless in its ability to control the executive, it was used as a symbol by generations of nationalist leaders from O'Connell to Parnell and Redmond in their own quest for Irish self government. It is particularly ironic that Sinn Féin, which as a republican party fought for Irish independence during the Anglo-Irish War, was founded by a man, Arthur Griffith, who sought to restore the King, Lords and Commons of Ireland and the 1782 constitution to the centre of Irish governance, and the College Green Houses of Parliament to its position as the home of an Irish parliament.