Showing posts with label Mind the Gap. Show all posts
Showing posts with label Mind the Gap. Show all posts

Thursday, October 29, 2009

London’s Wunderground



Though we take it for granted, and frequently curse it to high heaven, the London Underground is a wonder. The Tube network is the oldest and longest underground railway system serving a major city. Its history goes back to 1863, its conception even earlier.

For the full story see;

http://daithaic.blogspot.com/2008/01/great-circle-line-journey.html

The Tube has driven engineering developments and creative design. It has featured in countless books, songs, films and poems. It has been the site of births and deaths, and bombs planted by everyone from pre-war anarchists to suffragettes, the IRA to the Islamist suicide bombers of 2005. Yet this venerable railway system keeps going, keeps growing and keeps enabling more than one billion Londoners a year to make their daily commute.

Here, partly extracted from David Long's The Little Book of London Underground, are some facts to fascinate about the Tube.

A Metropolitan tunnel visionary



In 1845 Charles Pearson, MP and Solicitor to the City of London, proposed alleviating congestion for London's 250,000 commuters by inventing an “arcade railway” underground in the shallow tunnels of what was once the bed of the Fleet River, from Farringdon to King's Cross. Pearson also proposed rehousing 50,000 City slum dwellers in seven new suburbs, and redeveloping the land they vacated to offset the cost of the new railway. Sadly, Pearson died a month before his vision became a reality in 1863.

Earl's Court goes up in the world



The first escalator on the Underground was installed at Earl's Court in 1911. A one-legged man, “Bumper” Harris, was employed to ride on it and demonstrate its safety. There was a certain synergy here as both the leg and the escalator threads were wooden! Afterwards Bumper Harris retired to Gloucester where he made cider. Unlike modern “comb” escalators, the original “shunt” mechanism ended with a diagonal so that the stairway finished sooner for the right foot than for the left. Anyone not wishing to walk on the escalator was therefore asked to stand to the right to allow others to pass, leading to Britain's unique flouting of escalator etiquette which dictates in most countries that escalators tend to match the rules of the road.

No dead ends on the Jubilee

In 1926, “suicide pits” were introduced beneath the tracks because of a rise in numbers of passengers throwing themselves in front of trains. Uniquely, the eastern extension of the Jubilee line — the only one of two lines on the London Underground to connect with all others (The other, since the closure of the East London Line, is the Central) — features glass screens to deter “jumpers”. They also ensure platform edge safety and stop litter being sucked into tunnels, the major cause of tunnel fires on the Underground. Still, approximately 50 passengers a year kill themselves on the Underground.

Where modern tunneling was invented


The Thames Tunnel designed by Marc Brunel father of Isambard Kingdom Brunel constructed in 1840

The East London Line has always been somewhat unique as the only Underground Line which doesn’t go through Central London, having two termini only 600 metres apart and having the oldest tunnel on the system, the Thames Tunnel designed by Marc Brunel, father of Isambard Kingdom Brunel dating from 1840 and which along with the Tower Hill subway was the first sub-aqueous tunnel in modern times. There is reference to a tunnel in Babylon, but no archaeological evidence. More importantly it was the tunnel where modern tunnelling methods were developed and though underground and largely unseen it is a listed building!


Brunel's Thames Tunnel before the East London Line closed for refurbishment

For more on the Thames Tunnel and the East London Line see;

http://daithaic.blogspot.com/2007/12/east-london-line.html

Torture comes full Circle

The Circle line opened in 1884 and was described in The Times as “a form of mild torture which no person would undergo if he could conveniently help it” – Conservative papers are still pro Public Transport to this day! Conditions haven't improved much in the intervening century or so, with a House of Commons report published in 2004 claiming that commuters face “a daily trauma” and “intolerable conditions” on the Tube.



The Northern's highs and lows

The Northern line includes the deepest tunnel (at Hampstead) and the highest elevation (the Dollis Brook viaduct) on the line to Mill Hill East, the only part of the pre-war extension to Elstree actually built. Its ticket office at Bank was originally situated in the Crypt of St Mary Woolnoth. The first crash on the Tube occurred on the line in 1938 when two trains collided between Waterloo and Charing Cross, injuring 12 passengers.

Early birds catch the Piccadilly

The Tube runs 24 hours a day only at New Year and major events — such as the opening and closing ceremonies of the 2012 Olympics — because most lines have only two tracks, one in each direction. It closes at night for cleaning and maintenance. The earliest trains, such as from Osterley to Heathrow on the Piccadilly line, start from 4.45am, with the rest operating by 5.30am and continuing until about 1am.
Digging deep for the Victoria



The Victoria line was built to link King's Cross, Victoria and Euston and proposed names included Viking line, for Victoria to King's Cross, and Walvic (Walthamstow to Victoria). Tunnelling close to Buckingham Palace and major government departments, 2,500 miners excavated an estimated one million tons of earth, uncovering fossilised marine molluscs and human bones from an old plague pit along the way.



New arrival on the Bakerloo

In 1924, the first baby was allegedly born on the Underground, on a train at Elephant & Castle on the Bakerloo line. Twenty years later, US TV host Jerry Springer was born at East Finchley station, where his mother had taken shelter from an air raid. The Bakerloo line was the creation of two notorious wheeler-dealers, James Whitaker Wright and an American Charles Tyson Yerkes who ran the Underground from a suite at the Savoy Hotel where he had installed his mistress! Builders working on it suffered from the bends while tunnelling under the Thames. Yerkes owned one of the larger art collections in the United States and was reputed to buy ‘old masters’ as others would buy books. The combination of his mastery of financial manipulation and his love of the arts was instrumental in bringing together this unlikely partnership on a railway network.



London was ripe for the skills of Yerkes at the turn of the century with the Baker Street & Waterloo Railway virtually moribund in 1901 when its own financiers, the London & Globe, went into administration. Yerkes soon formed a holding company, the Underground Electric Railways of London Ltd, and the Bakerloo was soon joined by, what are now, the District and the then unbuilt Piccadilly Line and west end branch of the Northern Line (the Hampstead Tube).



Grand Central passengers



The inaugural journey of the first Central line train in 1900 had the Prince of Wales and Mark Twain on board. The tunnels beneath the City curve dramatically because they follow its medieval street plan to avoid paying building owners for “wayleave rights”. The Central line also introduced the first flat fare: tuppence, hence its nickname the “two penny tube”.

Distance no object for map genius


Harry Beck's original map

Harry Beck produced the first version of his famous diagrammatic Tube map while working as an engineering draughtsman at the London Underground Signals Office, and was paid 10 guineas (£10.50) for his efforts. He believed that once underground, passengers were less bothered about relative distances between stations — the blueprint for the original Tube maps — and more interested in how to get from one station to another and where to change. First submitted in 1931, his map was considered too radical but the public embraced it and it became official in 1933. Beck's design classic has been altered many times since; last month TFL was forced to return the River Thames to a new “decluttered” map after outrage over its removal.



See also;

http://daithaic.blogspot.com/2009/01/great-british-design-quest.html

Ah, look at all the familiar buskers

Busking has been licensed on the Tube since 2003, but before that Sting and Paul McCartney both allegedly plied their trade on the Underground, in disguise as did Cat Stevens before he was famous.

Every tile tells a story


Paolozzi's abstract mosaics at Tottenham Court Road

The tiles at Leicester Square depict film sprockets; Baker Street has Sherlock Holmes, Oval cricketers, while Eduardo Paolozzi's abstract mosaics at Tottenham Court Road celebrate nearby musical Denmark Street. The early Underground companies all faced the same problem - how to maximise the illumination of their gloomy gas-lit platforms. The only answer until then was masses of plain white reflective tiling. However, by the turn of the century, with electric lighting improving all the time, thoughts of something more than functional resulted in stations having unique polychrome tile decorations. The tiling of over 90 tube platforms, and associated passageways, staircases and surface-level booking halls, probably amounted to the largest single creation of decorative art on public display anywhere.

Perchance to Dream .....

One of the most satisfying moments on a crowded Tube Train is when suddenly you stop thinking of the Aussie controlled haversack banging into you every time its owner moves or the blast of sound from the zombie commuter with the ridiculous headphones unconscious of your presence. Between the strap hangers your eyes alight on a Poem on the Underground cab card and as you read you are transported to a different place where there are fields of daffodils, floating clouds and babbling brooks. You have discovered, been delighted and most possibly gone on your way happier because of one of the most successful Public Art programmes, London’s famous “Poems on the Underground.”



Poems on the Underground were launched in 1986. The programme was the brainchild of American writer Judith Chernaik, whose aim was to bring poetry to the wide ranging audience of passengers on the Underground. Judith Chernaik, together with poets Cicely Herbert and Gerard Benson, continue to select poems for inclusion in the programme which provides relief and interest to the commuters who make over 3.5 million journeys on the Underground each weekday.

For more on Poems on the Underground see;

http://daithaic.blogspot.com/2008/06/poems-on-underground.html

Tragedy stubs out smoking

A discarded match was thought to be the cause of the King's Cross fire in November 1987 which killed 31 people. The blaze started in a shaft by a wooden escalator serving the deep-level Piccadilly line and spread to the ticket hall above. Although smoking had been banned on Tube trains three years earlier a similar ban was not enforced on platforms or within stations. The escalator running track was covered in grease and rubbish, causing flames to spread rapidly. Smoking was then banned throughout the Tube network.



Everyday warning for city folk



The recording of the phrase “Mind the gap” dates from 1968, and is voiced by Peter Lodge, who owned a recording company in Bayswater. He stepped in apparently when the actor hired to record the lines insisted on royalties. There have been several books, a gameshow, two theatre companies, several films and lots of songs called Mind the Gap. While Lodge's recording is still in use, some lines use recordings by Manchester voice artist Emma Clarke, while commuters on the Piccadilly line hear the voice of Tim Bentinck, who plays David Archer in The Archers.

For the full story see;

http://daithaic.blogspot.com/2007/11/mind-gap.html

Famous logo still doing the rounds



In 1908 the Tube, while not yet a unified service, was officially rebranded as the underground and the “roundel” logo was adopted. The bar-and-circle was used as part of the name boards at stations and the distinctive red and blue design enabled them to be easily identified. By the example it set under Frank Pick the Underground was gradually able to change the public’s attitude to railway stations which had been seen as shabby and inhospitable places. Sir Nicholas Pevsner wrote that Pick saw in every detail a “visual propaganda” and he used this not only to improve the Underground but the environment as a whole. Charles Holden brought the Underground station to the forefront of modern architecture: This achievement is unequalled by any other transport company before or since.

For more on Charles Holden and his unique Underground design legacy see;

http://daithaic.blogspot.com/2008/04/give-my-regards-to-55-broadway.html


Lonely outposts south of the river

Less than 10 per cent of Tube stations lie south of the Thames. There are two reasons; The London Clay south of the river made tunnelling more difficult and the Southern railway electrified using third rail to increase service times and frequency to stop the (then) private Tube companies encroaching on their territory. They also built the “Drain” now the Waterloo and City Line to connect their main terminus with the City of London. This line was only transferred to London Underground in 1993. They also co-owned the Baker Street to Waterloo Line (Bakerloo Line) to connect Waterloo Station to the West End of London and later another railway, the LMS from Euston, extended this line over its network to Queen’s Park and Watford Junction.



7/7: London's date with terror

On 7 July 2005 a series of co-ordinated suicide attacks during the morning rush hour killed 56 people and injured 700. Three bombs exploded within 50 seconds of each other at Edgware Road, Aldgate and King's Cross and a fourth exploded an hour later on a bus in Tavistock Square. The attacks by four suicide bombers on the London Transport system on 7th July 2005 were the largest mass murder in Britain in peacetime killing 52 passengers on The Tube and on the No. 30 bus at Tavistock Square and injuring 800 more, many seriously. Injured or not, and serious or not all who lived through the experience carry vivid and unsettling memories. There is a curious obscenity about suicide bombing, about the personal fascism which rationalises killing yourself and complete strangers you have first looked in the eye because you have convinced yourself it is for a greater good. There is a particular perversity, if you have religious faith, in destroying what you believe are God’s creations because you have appointed yourself as God’s representative and indeed have convinced yourself that shortly afterwards you will be personally thanked by Him.




See also:

http://daithaic.blogspot.com/2009/07/london-77-bombings-memorial.html


Just squeaking into the records



An estimated half a million mice live in the Underground system. Unfortunately they are a protected species as they have fast tracked evolution to adapt to the environment – They have done in 50 years what Mr. Darwin said they would do in 500 years. Unfortunately (for their exterminators) they have also become famous giving rise to an animated feature (Tube Mice – 1988) and “Underneath the Underground” a series of books by Anthea Turner (remember her?) and her journalist sister, Wendy.

Camera, lights, action stations



Famous “ghost”(i.e. disused) stations include Aldwych, British Museum, Down Street, King William Street and Lord's and are used many times a month as sets for films or TV programmes, although none featuring vandalism, firearms, fare evasion, smoking, terrorism or nudity. Lots of stations have closed down, but are still sitting there in a strangely unnerving way (unnerving, anyway, for anyone who has seen Quatermass and the Pit).

They are: Aldwych (closed 1994), Blake Hall (1983), British Museum (1933), Brompton Road (1934), City Road (1922), Down Street (1932), Lords (1939), Marlborough Road (1939), Ongar and North Weald (1994)South Acton (1959), South Kentish Town (1924), St Mary's (1938), Uxbridge Road (1947), White City (1959) and York Road (1932).



Bet you Didn't Know This!

Croxley, the first station outside Zone 6 on the Metropolitan Line is the only station to contain the letter 'X'.

The original Jubilee Line extension went from Charing Cross through Aldwych to New Cross on the East London Line. Indeed, 100 metres of tunnel was built at Aldwych for this purpose - then the project was dumped. So the Picadilly isn't the only line to have abandoned tunnel at Aldwych after all.

St. Paul's on the Central Line used to be called 'Post Office'.

The District Line used to run alongside the Piccadilly to Hounslow Central before the Heathrow extension was built and the section diverted to the Central terminus at Ealing Broadway.

Some of the foregoing is taken from;

The Little Book of the London Underground, by David Long, £9.99

The rest is taken from a very dark place!

Thursday, November 29, 2007

Mind the Gap




For a London Underground commuter there is probably nothing more grating than young visitors on the Tube endlessly repeating “Mind the Gap” in a loud voice to their friends as if it was the funniest expression on the planet. Still in more considered moments it is a sign that this expression has now gained a life of its own and has been the subject (and title) of books, articles, campaigns and even a movie!

“Mind the Gap” is not just an announcement that you'll hear on London's Underground railway system when a train arrives at a station. Much more than just a warning about the “gap” between a carriage and the platform, it's a phrase that has entered popular culture and become synonymous with London. People who have visited England's capital city say “Mind the Gap” to each other - often accompanied by knowing glances and subtle nods - while the rest of the world wonders what they are on about.

“Mind the Gap” is part of the London mindset. The phrase originated on the Northern Line, where the gaps between the curved train platforms at Embankment Station and the train itself were particularly large.

The biggest gaps one needs to mind are at Bank Station on the Central line and at Waterloo Station on the Bakerloo line. Basically, early in the history of Tube-line building the companies had to build their railways beneath public roads, so sharp curves were required at some points. Allegedly, the slightly-off-putting gap at Bank is so large because the tunnel diggers of the time had to swerve a lot to miss the Bank of England's vaults.

Pity then the dolorous tale of one Emma Clarke who has enjoyed many years of anonymous fame as the voice heard by millions of Tube travellers each day, warning them to “Mind the Gap”. But now a gap has opened in the career of Emma Clarke after she criticised the Underground system and spoofed her own announcements on the internet.



TfL bosses have said that they will not provide the voiceover artist with any more work. A Transport for London spokesman said: “London Underground is sorry to have to announce that further contracts for Ms Clarke are experiencing severe delays.”

Ms Clarke, 36, from Altrincham, Cheshire, criticised the system in a newspaper interview after she produced spoof announcements on her website. She apparently said that while living in Highgate, North London, she used to take the Tube every day, but had refused to use it any longer because it was “dreadful”.

Ms Clarke, whose voice is now well known to the estimated billion passengers who use the Tube network each year, put her joke messages on the website she created this month after asking friends what they would most like to hear.

Ms Clarke said she was “very disappointed” and upset at the reaction of TfL, but still harboured hope that the row with the network could be resolved. “The first step is for us to have a conversation,” she said. “I hope they hear my point of view, and take on board that I wasn’t criticising London Underground or the Tube system.”

In a report in The Times, she said that the comments had been taken out of context. “I did not say that the Northern Line was dreadful. I did say it’s a challenging line. What I did say was dreadful was the thought of being in a Tube train listening to my own voice.” Emma, who is also an actress and playwright obviously moved to the country (Cheshire) from London for a lifestyle change and put up a rather good website to showcase her talents; http://www.emmaclarke.com/ It includes a whole page on the Tube with lots of links and background information which shows some affection and admiration for the Tube but even its most ardent admirers do, at times, get fed up when things go wrong but more especially with the sometimes selfish and inconsiderate behaviour of fellow passengers who forget notions of neighbourliness in Tube carriages.


Emma Clarke

These are reflected in some of Emma Clarke's Tube spoofs on her website;

In one spoof announcement she said: “Here we are crammed again into a sweaty Tube carriage . . . If you are female, smile at the bloke next to you and make his day. He’s probably not had sex for months.”

Peeping Toms were singled out in another message when she said: “Would the passenger . . . pretending to read a paper but who is actually staring at that woman’s chest please stop. You’re not fooling anyone, you filthy pervert.”

In another one spoof, Ms Clarke attacked the mindset of some Londoners. She said: “Residents of London are reminded that there are other places in Britain outside your stinking city and, if you remove your heads from your backsides for just a couple of minutes, you may realise the M25 is not the edge of the Earth.”

In another she said: “Passengers should note that the bearded rucksack contains the following items only: some sandwiches, a library card and picture of a bare ankle, and is no cause for concern.”

“Passengers are asked not to drop litter on the train. Please use the tramps provided”

“Passengers are reminded a smile is a friendship signal, not a sign of weakness”

“We would like to remind our American tourist friends that you are almost certainly talking too loudly”

“Would passengers filling in their Su Dokus please accept that they are just crosswords for the unimaginative and are not more impressive because they contain numbers.”

“Would the passenger in the pinstripe suit and £1,000 glasses who obviously works in the media please take one step forward on to the track”

The fame of “Mind the Gap” is widespread. “Mind the Gap” was the name chosen for a pictorial book put together by Simon James. As well as the excellent, often quirky pictures of the London Underground, this book also features a commentary on stations to be found at the end of Tube lines. In the book's foreword, Michael Palin,- campaigner for better public transport (and well known traveller) - writes:

“”Mind the Gap”, perhaps the most famous phrase associated with the London Underground, must surely have the creators of the system spinning in their graves. It's an acknowledgement that the thing doesn't quite work. That however fast and frequent the service, however comprehensive the network, the trains don't always fit the platforms. There's not much in it - but enough to warrant painted signs and recorded warnings.

It is very much a book about gaps, not just gaps between the train and the platform, but between the designer and user, staff and passenger. And between dreams and reality, “Mind the Gap” in capturing the elusive appeal of the stations at the ends of the lines, gives gentle but perceptive insights into the way we live now.”

There was a short-lived TV game show called Mind the Gap. Hosted by Paul Ross, the set mirrored a tube platform.

The set is a side-on Underground platform - very nicely executed, with the proper London Underground symbols and typography. The tunnel contains a massive screen which displays the Underground map, and seems to use a projector rather than a TV wall. Music is a jazz-style affair, with a kind of scratching sound effect of a man going 'M-M-M-Mind the Gap' over the top. Looks like it's destined straight for the Challenge TV channel on cable.1

One of the funniest urban legends about 'Mind the Gap' is as follows:

“Once you are on a train platform, beware! Approaching trains sometimes disturb the large Gappe bats that roost in the tunnels. The Gappes were smuggled into London in the early 19th Century by French saboteurs and have proved impossible to exterminate. The announcement 'Mind the Gappe!' is a signal that you should grab your hair and look towards the ceiling. Very few people have ever been killed by Gappes, though, and they are considered only a minor drawback to an otherwise excellent means of transportation.”



The female voice for the recorded announcement of 'Mind the Gap' is nicknamed 'Sonia' by tube drivers. Why? Because her voice 'gets so on yer nerves', they collectively reply. Apparently 'Sonia' is thought to be a bit too posh in some circles. In recent tests somebody mimicking the voice of Marilyn Monroe proved to be a favourite.

The “Mind the Gap” announcement has been sampled into music tracks by at least two dance bands. Lectrolux's Mind the Gap can be heard on an album called Sounds of the Hoover 2 (CD2). It is also on Pumpin by the musicians Novy Vs Eniac.

And like most minor celebrities “Mind the Gap” has had a bit part in the movies. A 1970s horror film sporting the somewhat off-putting name(s) The Death Line or Raw Meat featured ghoulish man-eating underground troglodytes. These beasts constantly repeated the phrase 'Mind the Doors' (OK, so it's not “Mind the Gap”, but it's close). The film 'stars' Donald Pleasance and Christopher Lee. Its fairly absurd plot revolves around a turn of the century cave-in on the London Underground. Pleasance plays a detective investigating a string of murders who is handicapped by a distinct lack of corpses. Presumably, they were eaten by the cannibal Tube dwellers from days of yore. “Beneath modern London buried alive in its plague-ridden tunnels lives a tribe of once humans” the poster for the film screams. “Neither men nor women, they are less than animals... they are the raw meat of the human race.”


Mind the Gap

Indeed, these are not sentiments Tube commuters would agree with! As for Emma Clarke herself the torrent of publicity can only have clients queuing at her door and she is obviously a “Star” so I hope TfL and she will have the “conversation” she has asked for. I leave the last word to a supportive email she received from the United States published on her website;

“I read with dismay about your ‘sacking’ by Transport for London. I have visited England a few times as a tourist since you began your tenure with TfL. My wife and I always use the Tube to get around London and did admire its service. I want to register a protest with TfL for its lack of a sense of humour! In this day and age we should recognise what is important, and what can add a bit of a smile to our days. Your “spoofs” were separate from the Tube and could not have confused or dismayed any passengers travelling. In the US, Southwest Airlines is known for its flight attendants joking commentary made before, during and after a flight. No one at Southwest has felt it necessary to reprimand or “sack” an employee who has injected some levity into their travel. It’s time for TfL to get a sense of humour, rehire you and maybe even use a few of your “spoofs” either in advertising or in the Tube. Please forward this e-mail to TfL.”